Battle: Los Angeles (2011) R5 525MB

http://www.imdb.com/title/tt1217613/

[FORMAT]:…………………..[ Matroska
[GENRE]:……………………[ Action | Sci-Fi | Thriller
[FILE SIZE]:………………..[ 525 MB
[NO OF CDs]:………………..[ 1
[RESOLUTION]:……………….[ 720 x 304
[LANGUAGE ]:………………..[ English
[SUBTITLES]:………………..[ not found
[RELEASE RUNTIME]:…………..[ 1h 51mn 19sec
[SOURCE]:…………………..[ Battle Los Angeles 2011 R5 XViD-IMAGiNE
[iMDB RATING]:………………[ 6.4/10 (15,233 votes)
[Encoder]:………………[ FaDi

"Battle: Los Angeles" takes a big "what would happen if" premise - in this case, a massive alien invasion - and then fulfills that premise by taking it seriously. Not self-seriously. The movie is lots of fun, but it stays true to the terms it establishes, telling the story through the eyes of one Marine platoon assigned to rescue civilians in Santa Monica.
In this way, we see the aliens only as the guys see them - first, in just brief glimpses, then later, in intimate and grotesque detail. We get acclimated to battle. And the whole time we feel the anxiety of knowing we're only getting a piece of the story, that other battles are waging, on the East Coast, in Paris, in London, in Japan, and that victory seems almost inconceivable.
"Battle: Los Angeles" is not in the big-picture, crowd-pleasing tradition of "Independence Day." Think of it as "The Hurt Locker" of alien invasion movies. By putting us down on the ground with the guys, the situation becomes more unsettling, more disorienting, and the scenario presented feels more like how a thing like this might actually happen: First reports of meteor showers. Then more meteor showers. Then, wait, are those really meteor showers? And then, "Oh no!"
Essential to the movie's success is Aaron Eckhart, who plays a Marine staff sergeant as though he were in a World War II movie: no camping it up, no comedy, no winking at the audience, no smiling. He's just a tough guy, with lots of emotional scars, who is very good at his job. Eckhart's commitment to the movie's reality, which is as fierce as the sergeant's commitment to his men, takes what otherwise might merely have been outlandish and makes it believable, and frightening.
They're trying to colonize us - these gangly, big-headed, spindly creatures - and how do you fight something you don't even want to look at? And how do you fight weapons you don't even understand? The aliens have a fighter plane that looks like a flying Christmas wreath, in which each pine needle is either a light or some kind of laser death ray. Tell an audience this, and it means nothing. But put viewers in the midst of a battle and have something like this suddenly loom above the frame, and it feels a lot more personal.
Context is everything: The special effects are probably excellent, but the truth is, you won't have time to appraise them as special effects, with the reality of the movie bearing down on you at all times.
So, apparently, San Francisco and San Diego folded up like cheap handkerchiefs, and Los Angeles is the last human stronghold on the West Coast. Say what you will about L.A., but it's good for alien fighting - mostly flat and spread out, with lots of neighborhoods, unattached houses and wide streets. It also has plenty of gas stations, which can be useful whenever an incendiary moment is called for.
Christopher Bertolini's screenplay isn't big on witty repartee, but he takes time to introduce each character, and throughout Bertolini and director Jonathan Liebesman find ways to define every phase of the catastrophe in human terms. No shortcuts were taken in the crafting of the story. The filmmakers repeatedly set up expectations, thwart them and come up with something far worse and more agonizing than you expect.
The filmmakers don't make it easy on their characters. Even better, they don't make it easy on themselves, and best of all, they don't make it easy on us. The battle in "Battle: Los Angeles" is grab-the-armrest tense until the last seconds.
-- Advisory: The aliens are ugly, and there are a lot of dead bodies. But these have to be the politest, cleanest-talking Marines ever. They don't even curse at the aliens. They want to take back Los Angeles while avoiding an R rating.

E-mail Mick LaSalle at mlasalle@sfchronicle.com.

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